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Macbeth

The Other Place RSC

Writer William Shakespeare

Director Daniel Raggett

Set & Costume Designer Anna Reid

Lighting Designer Ryan Day

Composer Tommy Reilly

Sound Designer Tingying Dong

Fight Director Alex Payne

Dramaturg Rebecca Latham

Casting Director Charlotte Sutton

Voice and Dialect Patsy Rodenburg

Assistant Director Max Harrison

Producer Sarah Davies

Production Manager Lucy Guyver

Company Manager Suzy Bourke

Stage Manager Lavinia Serban

Deputy Stage Manager Alex Burke

Assistant Stage Manager G Hans

Production Electrician Kiaran Kesby

LX Programmer Sophie Keeble

LX Technicians Lauren, Grace, Harry, Matt, Linus

LX Hires Christielites

Photographer Helen Murray

“Ryan Day’s stark, stabbing, angular lighting sends slashes of cold grey beams across the stage and jabbing through overhead vents where fans spin. It throws whirling shadows around Reid’s realistic set, which catches the feel of a grimy Scottish boozer in unstinting detail, down to the faded burgundy carpets and cheap-looking pine furniture.” - The Stage

“The atmosphere is created further by the use of haze and Ryan Day’s lighting. This is almost a character in itself when paired with the sound design of Tingying Dong. It creates this palpable of energy that has you hooked even when some horrific moments play out.” - Beyond The Curtain

“dimly lit” - WhatsOnStage

“the pub lit mostly warmly but dimly, bright rays flickering through fans. The atmosphere is intense and unrelenting.” - Warwickshire World 

“The Weird Sisters sit around a pub table, which is lit by glowing lagers logos on the taps.” - The Times

“The show quite literally starts with a bang, plunging us into an alarming blackout. Sinister soundscapes and the unrelenting whirring of ceiling fans continue on through the darkness. If there was any way to get an audience primed for a night of deceit and treachery, it was this. Not only is the sound and lighting an assault on the senses, but the physical closeness of the action gives the audience no choice but to open their eyes to the unflinching tragedy before them.” - The Boar

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